Fish of the Month: Lingcod- Ophiodon elongates
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A pragmatist might ask why I’m adding a ‘fish of the month’ feature to a pottery blog.

Well- I can’t claim to be quite the piscophile that some of my friends are (I’ve got a pal who once kissed a sturgeon’s sucker-mouth on a dare).

However, fish are one of the most variegated, multi-hued and multi-formed expressions of ‘beauty’ in creation. The same process of evolution that yielded the austere grace of a king salmon also gifts us with the Hieronymus Bosch absurdity that is the blobfish (Psychrolutes marcidus).


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Secondly, fish symbolize wild places in all of their resiliency and terrible fragility. From the Asian silver carp, tearing a swathe of ecological destruction along the backbone of the Mississippi, to the desert pupfish, hanging on by a thread in a puddle of hot water, fish mirror the health of the ecosystems that support us.

Fish have always been a source of mystery to us. They inhabit a cryptic, hidden world, only marginally opened to us with the advent of aquaria and SCUBA.


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Finally, fish bloody fun to draw. I love rendering them on my pots. My basic drawing of an arctic grayling is a staple of my work… but many of my favorite ceramic vessels from the past year are laced with other denizens of the seven seas.

Anyhow, I’m going to start with one of my favorites.


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Back when I was 18, I worked an abortive two-day stint as a deckhand on a Sitka long-liner.  I’ve never spent more time retching… it was my only serious bout with motion sickness, and I dearly hope that I never repeat the experience.


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For those who’ve never fished the open ocean, the twin arms of a trolling boat drag long cables over the benthos, with nylon leaders clipped to the cables at intervals. When a fish hits a lure, you winch the cable back into the boat. There’s a high level of uncertainty- the leader could be dragging a halibut (back-breaking work with a gaff) a dogfish (break out the Kevlar gloves) or a squirting mess of shredded jellyfish.

However, nothing rears out of the deep with quite the impact of a lingcod. The things are enormous (we caught a six footer during the summer of ’90). They also have a howling, snaggle-hungry stare that makes a person very, very glad not to be a pollock.


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They’re not quite the big-ticket item that salmon are, but people do eat them with gusto… to the point where stocks were severely hammered in the mid ‘90s. Things have improved since Pacific Fishery Management Council and NOAA Fisheries implemented strict catch limits post-1999.


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They’re ferocious gluttons. Interestingly, it’s the males that guard the egg clutches (all 500,000 eggs in some instances).  These papas are faithful for up to 10 weeks, and have mauled divers on a couple of occasions.

They’re a wandering fish- females have been known to cover 500+ kilometers in a season. (Males stick closer to home… must be linked to the maternal instinct).


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Apart from their googly-eyed, cantankerous personality, however, one of the things that delight me about lings is their coloration. My best compadre and canoeing partner Matt joined me on a British Columbia kayaking trip a few years back. We caught a number of lings, and several (about one out of three) were a vibrant, shimmering turquoise. They seemed to glow as you lifted them out of the water.

This photo (left) from Kawika Chetron’s coldwater images is a good example.


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Honestly, the ones that we caught were too beautiful to eat, and we set them all free. Apparently, though, the color runs beneath the skin. In fact, some people have shied away from eating lings- scared off by the neon green flesh (although- apparently- the flesh turns white once it’s cooked).

I work in a wildlife department at the University of Idaho. None of my fisheries colleagues have been able to steer me to a conclusive reason for the turquoise flesh. Apparently, it’s correlated to a diet laced with crustaceans… but the jade lings often live side by side with red and brown color variants…with no clear reason why.


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Anyhow, for those lucky enough to live in the cedar-riven, rain-blest expanses of the Northern Pacific Coast, I hope you have a chance to stare into the vast eyes of one of these frog faces.

I love to draw them, and I love to work them into my pottery… but most importantly, I love to think of them whispering beneath those cruel, azure tidal reaches off the West Coast.


 
 
Well- I had a couple minor disasters emerge from the kiln. One fountain base oozed all over the shelf, It reminded me of some of my step-son's ill-advised experiments with banana slugs on Vancouver Island in '03. Another base (like the chalice base from the last entry) splintered. Big, gaping crack of doom just waiting for Smeagol.

Still- I can't complain too much, given the overall levels of success over the past couple weeks. Without too much commentary, here's the current batch.
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All of these guys are riffs off my original prototype from about a month back. Although it's the best basic design I've produced, the one thing I'd like to work toward in the future is a bit more asymmetry. Nature is not a symmetrical thing. Rivers wander and purl off into odd little crooks and kinks.

I've got some ideas for designs that should be a bit less tight-laced... but that's something for another day.

In the meantime, the planters continue to propagate. Here are some examples...

This little guy (about five inches in diameter at the rim) is more representational (less abstract) than some of my designs. I tend to like designs that are pared down and exaggerated.
This- of course- is an example of the basic grayling design that I like to endlessly tweak. I was selling at our local farmer's market this weekend, and a vender who was selling North African food observed that the eyes 'looked Egyptian'. Certainly, they don't look like a biologists take on a fish eye.

I should know- I dissected a ton of the things while teaching comparative vertebrate anatomy at WSU this past fall.
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This, of course, is a flip back to the representational. Ling cod (Ophiodon elongatus) are the most gloriously google-eyed, needle toothed little cutie-pies you're ever going to see outside of Sesame Street. They slither up from the depths looking like a snake hitched a ride on a frog's bum. 

I've never managed to get a good photo, unfortunately- my best mate Matt and his big rack of rockfish is the closest I've come. Check the late, great Kawika Chetron's website for a good image.

I have caught a few of these, but always let them go. They're too bloody cool to eat.

Actually, I almost feel that way about all fish.

From here on, just images, no chatter.

OK- I lied again. I need to comment on this planter- which is reduced to the hilt... but still has that nice little streak of oxidized turquoise underneath the Mahi-mahi's belly. The whims of raku strike again.
 
 
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_Harbor seals (Phoca vitulina) are another one of my favorite subjects in art- right up there with grayling in terms of the frequency with which they haunt my designs.

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I’ve been planning a series of seal entries, relating to a swathe of topics ranging from the idea of personal totems and the perils of anthropomorphizing to Irish legend, from thoughts on a few of my favorite canoe routes to a review of ‘Seal Morning’ (an old Scottish kids book that I adore).

  The vessel in the picture (above) is an example of some early work from my Minnesota days- an urn inspired by P. Vitulina.  It's still one of my favorites. If I could massage the crackle effects during the Raku process to achieve that type of outcome every time, I’d be a happy man!

I’ve been sidetracked, however. This entry is now going to serve as a bit of a tribute to a guy I’ve never met.

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_ It started with a search for a few good harbor seal photos. I’ve spent a lot of time around seals, but they’re bloody hard to photograph. For one thing, they’re extremely wary. For another, they’re not the most chiseled of creatures, and the subtle features that make them beautiful are hard to capture.

Here’s the best one I’ve ever taken (from a kayak trip through the Deer Island group off West Vancouver Island).

I like the way this dude is lurking nestled in the kelp… pretty typical for him and his breed. Silhouettes at the eye’s periphery- stare at them directly and they’re gone.

On this particular trip, there were never fewer than four of these guys shadowing us, and often more. They have a strangely intense stare- even intimate... I don't know of an analogue from any other mammal. It's easy to see how the Selkie legends from West Clare and Scotland originated (more about that in a future essay).

So- I was honestly quite pleased with this photo... or at least until I encountered this guy's work...

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_ Yes- there’s probably something wrong with me in that I find something endearing and tantalizing about the idea of a seal biting my head.

Anyhow, Kawika Chetron snared these images- in the main- off the coast of Northern and Central California. Apparently, it’s a hidden world of reefs, ledges, and chasms, all laced with rip currents and tidal surges.

These are stunning images. I'm a cursory photographer at best, but I've taken enough pictures to recognize that images like these represent one of the following:
  • Hours, days, years of dedication
  • A keen, uncomprimising eye for beauty
  • A deeply rooted understanding of the character of a specific place and its denizens
  • A healthy dose of serendipity and fortuitousness
(Probably all four)

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_ Kawika’s work is so manifestly a labor of love that I couldn’t stomach pirating his legacy without permission. At the same time, I’ve never seen better pictures of harbor seals (or ling cod for that matter- maybe my second favorite fish after grayling).

So- I fired off an email, asking whether I could use a few photos in an essay.  A few days later, I received a gentle, gracious message from Kawika’s mother…

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Our sad news is that Kawika was lost at sea on a dive March 17, 2007.  You may see his website at  www.coldwaterimages.com.  You may also view a newspaper article from April 1, 2007 regarding Kawika here.

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_ This was like a blow to the gut.

For one thing, this type of loss is infinitely more relatable to me now than it was a year ago, in light of the death of my mother.  Obviously, my thoughts and prayers are with Kawika’s family.

Secondly, the blithe spirit is perishingly rare, and a precious thing.  There are so few people who pursue a single passion with utter joy, without regard to risk or the censorship of society. Kawika seems to have been one of these outliers.

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_ I’ll still log my Phoca vitulina essay series… and maybe add a meditation on the acceptance of risk. I’m fascinated by the moral implications of consciously skirting annihilation in the search of...
  • adrenaline
  • first descents
  • the divine
  • solitude
  • beauty
  • comradeship and love
  • the perfect photograph
  • or even just a chance to turn the dial down on society’s racket for a few minutes
But for now, please take some time to visit Kawika’s wonderful site and honor his memory. R.I.P.

Coldwater Images